The Kamkaran group performs Khayyam’s poetry in classical style in Tehran:
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Culture
Omar Khayyam (88)
Since we have to go, what is it to exist? What is it to chase impossible ambitions? They’ll never pass by anyplace with a sense of well-being. What is it to be deprived both of travel and of rest? Translated by Juan Cole from [pdf] Whinfield 88
Life of Omar Khayyam pt 5 (Documentary)
Fifth and final part of “The Genius of Omar Khayyam” — the continuing appeal of his poetry and philosophy, and the question of how much of Fitzgerald’s Rubaiyat translation is Fitzgerald and how much Khayyam:
Omar Khayyam (85)
A cup full of rose-colored wine is beautiful; the tunes of the lute are lovely. As for the prude who knows nothing of wine, it is beautiful when he is very far away. Translated by Juan Cole from [pdf] Whinfield 85
Life of Omar Khayyam, pt 4 (Documentary)
Part 4 of the “Genius of Omar Khayyam”— how Edward Fitzgerald’s translation became a Western publishing sensation:
Omar Khayyam (86)
The life of this world without wine and bartender is not happy; without the airs of the Iraqi flute, it is not happy; Whenever I look at the world’s condition, its fruits are joy; and the rest is not happy. Translated by Juan Cole from [pdf] Whinfield 86
Life of Omar Khayyam, 3 (Documentary)
Part 3 of “The Genius of Omar Khayyam”, with special attention to the place of the Rubaiyat (Quatrains) in Iranian music:
Omar Khayyam (87)
Hurry up, for you will be separated from the spirit. You will go behind the curtain of God’s mysteries. Have some wine, since you don’t know where you came from; be happy, since you don’t know where you’re going. Translated by Juan Cole from [pdf] Whinfield 87
Life of Omar Khayyam, Part 2 (Documentary)
Part two of “The Genius of Omar Khayyam”