Stanza no. 20 in in the first edition of Edward FitzGerald’s The Rubáiyát of Omar Khayyám celebrates wine as a means of escaping lingering shame and the dread of an unknown future. It is about, as the hippies used to say in the 1960s, “being here now,” with a little help from a mind-altering substance. […]
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poetry
“From what once lovely Lip it springs unseen:” FitzGerald’s The Rubáiyát of Omar Khayyám 1:19
With no. 19 in in the first edition of Edward FitzGerald’s The Rubáiyát of Omar Khayyám, the theme turns away from the glory of kings as a flash-in-the-pan to the impermanence of life for everyone. One of the tropes common in the subsequent poems, already used in no. 18, is that we are clay and […]
“The Rose as where some buried Caesar bled:” FitzGerald’s The Rubáiyát of Omar Khayyám 1:18
Stanza 18 in the first edition of Edward FitzGerald’s The Rubáiyát of Omar Khayyám is the last in the series that emphasizes the impermanence of royal glory and it transitions to a subsequent set of meditations on the transitory character of life itself XVIII. I sometimes think that never blows so red The Rose as […]
“They say the Lion and the Lizard keep the Courts:” Edward FitzGerald’s the Rubáiyát of Omar Khayyám 1:17
Quatrain 17 of the first edition of Edward FitzGerald’s the Rubáiyát of Omar Khayyám continues the theme that kingly glory quickly fades. XVII. They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep: And Bahrám, that great Hunter — the Wild Ass Stamps o’er his Head, and he […]
“In this batter’d Caravanserai:” FitzGerald’s translation of the Rubáiyát of Omar Khayyám 1:16
Revised. Quatrain 16 in the first edition of Edward FitzGerald’s translation of the Rubáiyát of Omar Khayyám underlines that life is fleeting for everyone, even the rich and powerful, and even for monarchs. FitzGerald was an “entrepreneurial Radical” in Victorian terms, who disliked the aristocracy and favored the republican form of government for newly established […]
“And those who husbanded the Golden Grain:” FitzGerald’s Rubáiyát of Omar Khayyám 1:15
Stanza 15 of the first edition of Edward FitzGerald’s Rubáiyát of Omar Khayyám has for its theme a denial of the afterlife and resurrection. XV. And those who husbanded the Golden Grain, And those who flung it to the Winds like Rain, Alike to no such aureate Earth are turn’d As, buried once, Men want […]
“Like Snow upon the Desert’s dusty Face:” FitzGerald’s Rubáiyát of Omar Khayyám 1:14
Quatrain 14 emphasizes how short life is, even with all the good things the earth offers us (of which we should take advantage while we can). XIV. The Worldly Hope men set their Hearts upon Turns Ashes — or it prospers; and anon, Like Snow upon the Desert’s dusty Face Lightning a little Hour or […]
“Look to the Rose:” Edward FitzGerald’s Rubáiyát of Omar Khayyám 1:13
Stanza no. 13 of the first edition of Edward FitzGerald’s translation of The Rubáiyát of Omar Khayyám is about the free gifts we receive from nature. XIII. Look to the Rose that blows about us — “Lo, “Laughing,” she says, “into the World I blow: “At once the silken Tassel of my Purse “Tear, and […]
“Take the Cash in Hand:” Edward FitzGerald’s Rubáiyát of Omar Khayyám 1:12
Quatrain no. 12 in the first edition of Edward FitzGerald’s Rubáiyát of Omar Khayyám concerns the imperative to live in the moment and take our pleasures where we can, disregarding visions of future power or the afterlife, which we may never achieve. XII. “How sweet is mortal Sovranty!”-think some: Others” How blest the Paradise to […]